<\/p>\n
Das, was Mudra zusammengetragen hat, ist wohl noch umfangreicher als das Material des k\u00fcrzlich ausgestrahlten ARD-Politmagazins “Kontraste”. Und gleichg\u00fcltig, in wie vielen unterschiedlichen Formaten – als Film, als die Worte einer K\u00fcnstlichen Intelligenz, als Schl\u00fcsselanh\u00e4nger-Parolen – sie dieses auf der B\u00fchne pr\u00e4sentiert: Die Dichte ist enorm hoch (…) Der Abend ist wichtig, das sieht man immer wieder, wenn man auf die Abstimmungsergebnisse blickt. Denn auch da zweifelt man oft an dem zu selbstverst\u00e4ndlichen Glauben: “Wir sind doch die Guten!”.<\/em> \u00bbDer Schl\u00fcssel\u00ab untersucht Geschichte und Wirkweisen von Verschw\u00f6rungserz\u00e4hlungen und Desinformation, insbesondere in Hinblick auf antisemitische Elemente. 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\nS\u00fcddeutsche Zeitung<\/em><\/p>\n
\nDie Zuschauer*innen sind die \u201eBasis\u201c einer Bewegung und Mitspieler*innen des Abends. Als \u201eSchwarmintelligenz\u201c steuern sie mittels einer Abstimmungssoftware Meinungen und Stimmungsbilder bei.In einem Spielsetting, das theatrale Stilmittel, religi\u00f6se Inszenierungen und Methoden digitaler Propaganda beleuchtet, loten die Teilnehmer*innen den Grad der eigenen Empf\u00e4nglichkeit sowie die Grenze zwischen Meinungen und Tatsachen aus.<\/p>\n
\nCGI\/VFX: Yavuz Narin
\nLicht- und Sounddesign: Peer Quednau
\nRealisierung B\u00fchne: Manuela M\u00fcller
\nLicht: Harry De Lon
\nGrafik: Jara L\u00f3pez Ballonga
\nFotos: Verena Kathrein
\nProduktionsleitung: ehrliche arbeit – freies kulturb\u00fcro
\nPR: Kathrin Sch\u00e4fer<\/p>\n
\nDank an das Kulturzentrum Luise.<\/p>\n