Ein Schwarzer K\u00fcnstler erkennt, dass er zum Soldaten geworden ist. Als Kunstarbeiter k\u00e4mpft er auf der B\u00fchne um Repr\u00e4sentation und Ressourcen \u2013 und lernt, dass auch in der Kunst gilt: Die Befreiung der Okkupierten ist zugleich der Schrecken der Besatzer. Doch ist Kulturkampf Krieg? In seinem Solo widmet sich Julian Warner dem Psychiater, Marxisten und antikolonialen Denker Frantz Fanon (1925\u20131961), dessen Analysen von Gewalt und Entmenschlichung bis heute kontrovers diskutiert werden.<\/p>\n
Der Soldat<\/em> verbindet Fanons Ideen mit der Welt des Theaters: Mit Sprache, Akkordeonkl\u00e4ngen und angetrieben von den Schlagzeugrhythmen Markus Achers seziert Warner den Rassismus der Gegenwart \u2013 ein ersch\u00fctternder, hochaktueller Abend \u00fcber Gewalt und Widerstand.<\/p>\n <\/p>\n Der Soldat. Ein \u00dcbergangsritual<\/em><\/p>\n <\/p>\n \u201eWarner [schafft] das Kunststu\u0308ck, die Aktualit\u00e4t in den Schriften wiederzufinden. Mit dem Akkordeon spielt und tanzt er sich in eine Welt hinein, in der Gewalt und Hass immer wieder aufblitzen. Begleitet von Schlagzeuger Markus Acher ru\u0308ckt Fanons verzweifelter Kampf fu\u0308r kulturelle Identit\u00e4t und Dekolonialisierung ganz nah.\u201c<\/em><\/p>\n \u00a0<\/em><\/p>\n Elisabeth Mayer, Theater der Zeit, 21.07.2025<\/p>\n KuppelzeltSpielort<\/strong><\/h3>\n
\nFrei-Otto-Stra\u00dfe
\n80797 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