{"id":48717,"date":"2025-10-27T17:41:25","date_gmt":"2025-10-27T16:41:25","guid":{"rendered":"https:\/\/freieszenemuc.de\/guest-article-october-2025-the-spielart-festival-team\/"},"modified":"2025-11-21T19:43:28","modified_gmt":"2025-11-21T18:43:28","slug":"guest-article-october-2025-the-spielart-festival-team","status":"publish","type":"post","link":"https:\/\/freieszenemuc.de\/en\/guest-article-october-2025-the-spielart-festival-team\/","title":{"rendered":"Guest article October 2025: The SPIELART Festival Team"},"content":{"rendered":"<p>Dear audience,<\/p>\n<p>2025 is again a <a href=\"https:\/\/www.spielart.org\/\" target=\"_blank\" rel=\"noopener\"><strong>SPIELART<\/strong><\/a>-year &#8211; this time <strong>under the motto<\/strong> <strong>SOME KIND OF TOMORROW<\/strong>, which is based on a quote from the novel <strong>BELOVED <\/strong>by the African-American writer <strong>Toni Morrison<\/strong>. We don&#8217;t know what the <g id=\"gid_6\">future <\/g>looks like. But we can <strong>think<\/strong> about it together, <strong>anticipate<\/strong> it,<strong> work<\/strong> on it.<a href=\"https:\/\/www.spielart.org\/programm\/spielplan\" target=\"_blank\" rel=\"noopener\"> <strong>Over 30 productions<\/strong> <\/a>explore the <strong>fault lines of our present<\/strong> this fall, from the perspective of artists who bring <strong>global interdependencies, personal stories<\/strong> and <strong>collective memories<\/strong> to the stage.  <\/p>\n<p><strong>From October 17 to November 1,<\/strong> <strong>SPIELART will be presenting dance, theater and performance productions at various venues<\/strong>, including the <strong>M\u00fcnchner Kammerspiele<\/strong>, the <strong>Volkstheater<\/strong>, the <strong>Residenztheater<\/strong>, the <strong>Muffathalle<\/strong>, the <strong>HochX <\/strong>and the <strong>Einstein Kultur<\/strong>. <strong>SPIELART<\/strong> is also back at <strong>Haus der Kunst<\/strong> this time &#8211; with <strong>nora chipaumire&#8217;s <\/strong>expansive work <a href=\"https:\/\/freieszenemuc.de\/en\/event\/nora-chipaumire-dambudzo\/2025-10-23\/\" target=\"_blank\" rel=\"noopener\"><strong>DAMBUDZO <\/strong><\/a>(23. &amp; 24.10.), a mixture of performance, dance, installation and exuberant concert. <\/p>\n<p>As always, <strong>the public space <\/strong>is <strong>part of the festival events<\/strong>: the <strong>Feldherrnhalle<\/strong> will be the venue for the first <a href=\"https:\/\/freieszenemuc.de\/en\/event\/caroline-anne-kapp-katarina-markova-der-taktische-koerper-feldherrnhalle\/2025-10-19\/\" target=\"_blank\" rel=\"noopener\"><strong>performance of the &#8220;tactical body&#8221; <\/strong><\/a>&#8211; consisting of the Munich artist <strong>Caroline Anne Kapp<\/strong> together with <strong>Katarina Markov\u00e1 <\/strong>and <strong>Carla Lou Sch\u00e4fer<\/strong> &#8211; in which video, audio and live action from their artistic <strong>research on art and militarism<\/strong> will be shown. The collective <strong>God&#8217;s Entertainment <\/strong>will be touring with its <strong>mobile gallery-to-go <\/strong>and a <strong>live performance jukebox<\/strong> in front of the Muffatwerk (17.10.), to the FLUX at the Pinakothek der Moderne (18.10.), via the Habibi Kiosk at the M\u00fcnchner Kammerspiele (22.10.) to the Celibidacheforum in front of the old Gasteig (24.10.).  The Munich collective<strong> &#8216;Bruch&#8217;<\/strong> is back with two performances of <a href=\"https:\/\/freieszenemuc.de\/en\/event\/bruch-spirit-plastic\/2025-10-24\/\" target=\"_blank\" rel=\"noopener\"><strong>SPIRIT PLASTIC<\/strong> <\/a>at the <strong>FAT CAT<\/strong> (24. &amp; 25.10.). The last weekend of the festival (31.10. &amp; 01.11.) is traditionally about &#8220;looking to the future&#8221;: with the <strong>program line<\/strong> <a href=\"https:\/\/www.spielart.org\/programm\/birds-on-peripheries\" target=\"_blank\" rel=\"noopener\"><strong>BIRDS ON PERIPHERIES<\/strong> <\/a>program line brings <strong>international productions from Beirut, Bangalore, Kuala Lumpur, Pachuca, Goma and Abidjan<\/strong> to the<strong> creative quarter<\/strong> (schwere reiter studio, HALLE6, ZIRKA) that want to look, tell and change from &#8220;the margins&#8221;. <\/p>\n<p>So there is a lot to see!<\/p>\n<p>Further information and tickets at: <a href=\"https:\/\/www.spielart.org\/\" target=\"_blank\" rel=\"noopener\">spielart.org<\/a><\/p>\n<p>We look forward to seeing you,<br \/>\nThe SPIELART team<\/p>\n<p>xxxxx<\/p>\n<p>Dear Audience,<\/p>\n<p>2025 is once again a <a href=\"https:\/\/www.spielart.org\/\" target=\"_blank\" rel=\"noopener\"><strong>SPIELART<\/strong><\/a> year &#8211; this time <strong>under the motto SOME KIND OF TOMORROW<\/strong>, which refers to a quote by African American writer <strong>Toni Morrison<\/strong> from her novel<strong> BELOVED<\/strong>. We don&#8217;t know what the<g id=\"gid_5\"> future<\/g> looks like. But we can<strong>think about it <\/strong>together, <strong>anticipate<\/strong> it, and <strong>work on it<\/strong>. <a href=\"https:\/\/www.spielart.org\/programm\/spielplan\" target=\"_blank\" rel=\"noopener\"><strong>More than 30 productions<\/strong> <\/a>this autumn will <strong>explore the fault lines of our present<\/strong> &#8211; through the perspectives of artists who bring <strong>global interconnections, personal stories, and collective memories<\/strong> to the stage.  <\/p>\n<p><strong>From 17.10. to 1.11.<\/strong>, SPIELART will present <strong>dance, theater, and performance productions at various venues<\/strong>, including the <strong>M\u00fcnchner Kammerspiele, Volkstheater, Residenztheater, Muffathalle, HochX, and Einstein Kultur<\/strong>. <strong>SPIELART<\/strong> will also return to the <strong>Haus der Kunst <\/strong>this year with <strong>nora chipaumire&#8217;s<\/strong> large-scale work <a href=\"https:\/\/freieszenemuc.de\/en\/event\/nora-chipaumire-dambudzo\/2025-10-23\/\" target=\"_blank\" rel=\"noopener\"><strong>DAMBUDZO<\/strong><\/a> (23. &amp; 24.10.) &#8211; a vibrant blend of performance, dance, installation, and exuberant concert.<\/p>\n<p>As always, <strong>public space <\/strong>will play a <strong>key role <\/strong>in the festival: the <strong>Feldherrnhalle<\/strong> will become the stage for the first performance of the <a href=\"https:\/\/freieszenemuc.de\/en\/event\/caroline-anne-kapp-katarina-markova-der-taktische-koerper-feldherrnhalle\/2025-10-19\/\" target=\"_blank\" rel=\"noopener\"><strong>&#8220;tactical body&#8221;<\/strong><\/a> &#8211; a collaboration between Munich-based artist<strong> Caroline Anne Kapp<\/strong>, together with <strong>Katarina Markov\u00e1<\/strong>, and<strong> Carla Lou Sch\u00e4fer<\/strong> &#8211; combining video, audio, and live action drawn from their artistic research on art and militarism.<br \/>\nThe collective<strong> God&#8217;s Entertainment<\/strong> will tour with its <strong>mobile &#8220;Gallery-to-go&#8221; <\/strong>and <strong>Live Performance Jukebox<\/strong>, making stops in front of the Muffatwerk (17.10.), FLUX at Pinakothek der Moderne (18.10.), the Habibi Kiosk at the M\u00fcnchner Kammerspiele (22.10.), and the Celibidacheforum in front of the old Gasteig (24.10.). The Munich <strong>collective ,Bruch&#8217;<\/strong>&#8211; will present two performances of <strong><a href=\"https:\/\/freieszenemuc.de\/en\/event\/bruch-spirit-plastic\/2025-10-24\/\" target=\"_blank\" rel=\"noopener\">SPIRIT PLASTIC<\/a> <\/strong>at <strong>FAT CAT<\/strong> (24. &amp; 25.10.). As tradition has it, the final festival weekend (31.10. &amp; 1.11.) will once again turn its gaze toward the future: as part of the <strong>program line <a href=\"https:\/\/www.spielart.org\/programm\/birds-on-peripheries\" target=\"_blank\" rel=\"noopener\">BIRDS ON PERIPHERIES<\/a><\/strong><a href=\"https:\/\/www.spielart.org\/programm\/birds-on-peripheries\" target=\"_blank\" rel=\"noopener\">,<\/a> <strong>international productions from Beirut, Bangalore, Kuala Lumpur, Pachuca, Goma, and Abidjan<\/strong> will take place in <strong>Munich&#8217;s Kreativquartier <\/strong>(schwere reiter studio, HALLE6, ZIRKA). These works aim to view, narrate, and transform the world &#8220;from the margins.<\/p>\n<p>There&#8217;s a lot to discover!<\/p>\n<p>More information and tickets: <a href=\"https:\/\/www.spielart.org\/\" target=\"_blank\" rel=\"noopener\">spielart.org<\/a><\/p>\n<p>We look forward to seeing you,<br \/>\nThe SPIELART Team<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dear audience, 2025 is again a SPIELART-year &#8211; this time under the motto SOME KIND OF TOMORROW, which is based on a quote from the novel BELOVED by the African-American [&hellip;]<\/p>\n","protected":false},"author":280,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"iawp_total_views":1,"footnotes":""},"categories":[1447,1448],"tags":[],"class_list":["post-48717","post","type-post","status-publish","format-standard","hentry","category-current_internal","category-updates"],"acf":[],"_links":{"self":[{"href":"https:\/\/freieszenemuc.de\/en\/wp-json\/wp\/v2\/posts\/48717","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/freieszenemuc.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/freieszenemuc.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/freieszenemuc.de\/en\/wp-json\/wp\/v2\/users\/280"}],"replies":[{"embeddable":true,"href":"https:\/\/freieszenemuc.de\/en\/wp-json\/wp\/v2\/comments?post=48717"}],"version-history":[{"count":1,"href":"https:\/\/freieszenemuc.de\/en\/wp-json\/wp\/v2\/posts\/48717\/revisions"}],"predecessor-version":[{"id":48718,"href":"https:\/\/freieszenemuc.de\/en\/wp-json\/wp\/v2\/posts\/48717\/revisions\/48718"}],"wp:attachment":[{"href":"https:\/\/freieszenemuc.de\/en\/wp-json\/wp\/v2\/media?parent=48717"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/freieszenemuc.de\/en\/wp-json\/wp\/v2\/categories?post=48717"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/freieszenemuc.de\/en\/wp-json\/wp\/v2\/tags?post=48717"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}