\u201eIn einem Archiv k\u00f6nnen wir zu Hause sein\u201d, schreibt die Wissenschaftlerin Sara Ahmed und liefert damit K\u00fcnstler*in und Kurator*in Imaad Majeed die theoretische Ausgangslage f\u00fcr theys multidisziplin\u00e4re Lecture-Performance.<\/p>\n
Ein Archiv kann sowohl Erinnerungs- als auch Beweisfeld sein \u2013 in diesem Fall f\u00fcr die vielen tausenden Menschen, die in Sri Lanka w\u00e4hrend des B\u00fcrgerkriegs verschwunden sind. Ausgehend von den Traditionen der konzeptuellen und dokumentarischen Poesie verarbeitet Imaad Majeed offizielle Aufzeichnungen, akademische Texte, Zeitungsartikel oder auch fiktive Texte durch den Einsatz von Algorithmen wie die Markow-Kette, durch Zufallsmethoden oder Black-out-Poetry. So wird das Gewaltpotential von Sprache sichtbar, die wie in Sri Lanka dazu genutzt wird, Verfehlungen der Regierung aus dem \u00f6ffentlichen Bewusstsein zu tilgen oder gar Menschen gewaltsam verschwinden zu lassen.<\/p>\n
<\/p>\n","protected":false},"excerpt":{"rendered":"
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